He generally paints bust-length portraits of a monumental scale, up to seven feet high, depicting women at close range. The hair, lips, eyes and skin are painted with a high level of precision, making them unbelievably real. His photorealistic technique is so accurate that once he completes a piece, it’s almost impossible to tell if it’s a high-resolution photograph or a painting.
But Park’s work can be identified if you are aware of his signature style. He often makes distortions of the women he’s painting, like enlarging the eyes or shrinking the chin, to give them an otherworldly look. He also gives the women a universalized, glazed appearance, softening features just like in Oriental ceramics.
So his paintings do appear to be like photographs, but they’re also rather surreal. And although the artist chooses his subjects from among his students, the women in his paintings are really quite different from the real-life inspiration.
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